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In 1972 "Montana Edition", owned by Hans R.
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Pierre De Geyter lost the first copyright case in 1914, but after his brother died by suicide and left a note explaining the fraud, Pierre was declared the copyright owner by a court of appeal in 1922. In 1904, Pierre's brother Adolphe was induced by the Lille mayor Gustave Delory to claim copyright, so that the income of the song would continue to go to Delory's French Socialist Party. In a successful attempt to save Pierre De Geyter's job as a woodcarver, the 6,000 leaflets printed by Lille printer Bolboduc only mentioned the French version of his family name (Degeyter). Thus "The Internationale" gained an identity that was entirely distinct, and no longer in any way directly tied to the French national anthem, the Marseillaise. De Geyter's melody was first publicly performed in July 1888, and soon thereafter Pottier's lyrics became closely associated with, and widely used with, De Geyter's new melody. In 1888 Pierre De Geyter (1848–1932) set the earlier lyrics to the melody of Chant du depart with slight modifications.
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The original French words were written in June 1871 by Eugène Pottier (1816–1887, previously a member of the Paris Commune) and were originally intended to be sung to the tune of " La Marseillaise". "The Internationale" is one of the most universally translated anthems in history. It was also used as a national anthem by the Chinese Soviet Republic, Bavarian Soviet Republic, Slovak Soviet Republic, and Hungarian Soviet Republic. (In 1917 and early 1918 Worker's Marseillaise was used as such). įrom 1918 to 1944, "The Internationale" was used as an anthem of the Bolshevik Party, Soviet Russia and subsequently the USSR, before being replaced with the more nationally-focused State Anthem of the Soviet Union, reflecting Stalinist trends. "The Internationale" has been adopted as the anthem of various anarchist, communist, and socialist movements. 4.5.2 National Revolutionary Army version.